The Pink List → Michael Trauffer
Michael has used real stories and experiences of those impacted by the Nazi regime to create a fictional character in which the show follows. Upon entering the intimate venue, Michael is already there, bundled in a corner, indicative of the somber journey we are about to embark on. Most notably about the show, is that it is actually a musical. Michael’s songwriting is genius and true to the journey of the protagonist Karl Hellwig, further enhancing the narrative. His vocals truly soar, and are emotionally impactful for the audience. When Karl is released from the Concentration Camp, Michael sings ‘Nothing’s really over,’ a heavy-hitting song that communicates the gut-renching reality of what “freedom” really meant for gay people at the time.
The plot line is clearly crafted for ultimate audience engagement. Scenes switch from Karl on trial to flashbacks of his past (pre + during WWII) and flashforwards (post war) that creates a dynamic rollercoaster of a piece. The hour flies by due to being fully immersed in the timeline. Michael's performance has the audience form an attachment to Karl and his life.
Michael has a way of gently taking the audience through the story that leaves you with a sense of hope at its conclusion. Whilst it may not have ended the way we’d hoped for Karl, the message for the audience is for us to be advocates, to ensure that no others meet his same fate. The Pink List truly is a show for us all to see right now.
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